When you meet someone new, you try to catch up to the life he lived before the moment of your arrival. Who were you before? Where did you live? Who did you love? What were your parents like?

Maybe you don’t ask. Perhaps you think the backstory doesn’t matter. After all, it’s who this person is now that counts, you say to yourself.

But I’m a psychologist by nature, training, and experience, so I’m the sort of person who asks. My wife’s dad, Thomas Henek, died a couple years before we met. He had his issues, but he survived battle in World War II, something he volunteered for despite being too old to be drafted.

Mr. H. had many friends, the kind of men who knew Tom would stand with them if the chips were down. They came in droves to his wake and funeral, and, at a time when men weren’t supposed to, they wept for his loss.

We sometimes miss knowing people by inches. Think of performers who passed away or retired before we had a chance to see them.

Yes, they leave recordings behind, but the communal experience of sharing the concert hall with others is rarely reproduced fully by electronics. Thus, the opportunity for a state approaching intimacy is gone forever.

Face to faceness becomes impossible.

Several years ago, however, I was prompted to rethink all this. Maybe there was a way to “meet” someone deceased, short of retrieving her from Hades, as Orpheus tried with Eurydice.

This brings my favorite uncle, Sam Fabian, to mind. My brother Jack acquired some old soundless movie film that had been transferred to DVD and gave a copy to me as a gift of sorts. Sam had been filmed by his wife almost 75 years ago while he played golf, probably on his honeymoon.

My uncle died when he was 50 in 1972. The silent film reminded me of his antic quality and the imposing 6’4″ animated presence that made him irresistible to almost everybody. He was a big man with big ideas and towering, thick-wristed strength; you had to look up to him.

The film recreated and enlarged my memory of Sam, something that stories about him or still photographs never do with anyone. If it is true that a picture is worth a thousand words, a movie film is worth far more.

Mr. Fabian moved, and the movement was both touching and delightful. You had to watch him move, or you could not know him any more than you can grasp the measure of a gifted athlete without seeing him play or a magnificent orator without hearing his voice.

Think of all the people we missed because cinema came so late in human history. Women and men like Joan of Arc, Plato, Harriet Tubman, Moses, Jesus, Jane Austen, the Buddha, Pocahontas, Marcus Aurelius, Caesar, Cleopatra, George Washington, and more.

But the title of this essay suggests I might “introduce” my late father in a palpable way, a man who is forgotten by history except for those who loved him. Impossible in the conventional fashion because he died 23 years ago.

Ah, but he lives on in audio recordings and a four-hour oral history video I made of him almost 40 years ago.

Were you and I friends or mates to whom fathers mattered, you might want to know him, the better to know me. If you wished to understand how I came to be as I am today, you’d learn how he spoke, the way his mind worked, the manner in which he told stories, and the values he communicated to his three sons: myself, Eddie, and Jack.

You might look into his eyes.

I made that video because I knew there would come a day when Dad would vanish, as we all do. I made it because he could speak to the generations of his descendants and allow them to learn where they came from and the goodness of his being.

I made it because I loved him.

The past is valuable if we learn from it, just as books and films are essential to our self-understanding. To my mind, they are of desperate importance, now as much as ever.

Maybe more.

One piece of advice. If you ever meet someone who means the world to you, don’t forget to “introduce” her to your deceased parents or ask to meet her own. They still have something to say, to influence, and to reveal.

No matter what you believe, they are not done with you yet. Or with those you meet along the way.

===========

The top profile of Milton Stein, my father, was made in Paris in 1945 during World War II. The city had been liberated from the Nazis six months before.

The second image is Thomas Henek at the time of his confirmation in 1923.

The photograph of my Uncle Sam, probably taken in the 1940s, is uncharacteristically somber. His family was desperately poor during most of the 1930s. You can interpret the few dollars he placed on his body as you wish. The photo on the dresser displays a picture of himself.