Why We Write

“We write to taste life twice, in the moment, and in retrospection.”

So said Anais Nin, a woman whose journaling began at age 11 and continued throughout her long life. She described her relationship with the psychoanalyst Otto Rank soon after their contact:

As he talked, I thought of my difficulties with writing, my struggles to articulate feelings not easily expressed. Of my struggles to find a language for intuition, feeling, instincts which are, in themselves, elusive, subtle, and wordless.

How hard is it to understand others — to see them in full as they wish to be seen? To what degree can every word, thought, and expression be fathomed as it emerges, and when it does not?

Consider the quotation above. How much of a flavor is retained? To what extent does the act of remembering itself transform what has happened, even as it fades and alters with age?

The celephane-wrapped freshness of our past recedes in favor of a modified reminiscence.

Nin recognized something else. She was a student of psychoanalysis and realized that she required more than one language to convey what best fit her desire to communicate.

As Wikipedia notes, “she (first) wrote in French and did not begin to write in English until she was 17.[11] Nin believed that French was the language of her heart, Spanish was the (tongue) of her ancestors, and English…the (dialect) of her intellect. The writing in her diaries is (therefore)…trilingual.”

Our reflections change as we contemplate our former selves, our loves and losses, our encounters with books, work, failure, and success in a changing world. The growth and metamorphosis brought by aging offer new perspectives.

Heraclitus reminds us, “no man steps into the same river twice, for it is not the same river and he is not the same man.”

Time is a master teacher if we listen to its voice.

To the good, laughter survives in the form of stories, along with some of our private sentiment.

Enough.

In a week, will you recognize yours truly at my unchanging keyboard? Will you think of me as you do now? And what will your mirror hold?

Ask Anais Nin and Heraclitus.

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All of the images are sourced from Wikimedia Commons. Woman Writing with a Pen is the work of Kristin Hardwick. It is followed by Anais Nin as a Teenager about 1920. Finally, Nin’s Signature.

A Christmas Story: Telling the Truth and Breaking the Heart

Was she seven years old? I don’t remember my eldest daughter’s exact age when she asked the question:

“Dad, is Santa Claus real? Nicole (a friend in school) said he isn’t.”

I had learned long before this, the value and importance of being honest.

I looked at Jorie, but perhaps could not see just how invested she was in her belief in Santa.

What I could see, however, was that she trusted me. And, in the few moments before I answered, I quickly determined that I could not break that trust.

“No Sweetie, he isn’t.”

I can still see her little face melt into a waterfall of tears. I comforted her as best I could; so did her mom.

It was not the last time that I caused pain to someone I love, but I think it was the first time I’d done this to any child of mine.

Welcome to the real world, honey; the place where things aren’t always as they seem or as we would like them to be. A place where hard reality trumps fantasy; a place where someone who “loves you to pieces” tells you something that breaks your heart into pieces.

That was a long time ago. I’ve wondered what else I might have done instead; something to save this little person from the pain of a message amenable to postponement.

Should I have said, “What do you think, Sweetie?” Was there a possible Socratic dialogue — an artfully crafted sequence of questions leading her to the same truth and not hurt so much?

Could I have tried to change the subject, to avoid the answer and let her continue to believe anything she wanted?

Or, should I have simply lied? “Of course there is a Santa, Sweetie.” And then left her open to the potential ridicule of friends, as well as some doubts about whether her dad was trustworthy.

Janet Landman, in her book Regret: the Persistence of the Possible, likens regret to the dilemma of coming to a fork in the road and making a choice. You walk down the chosen road for a while, before you realize it isn’t quite as good as you had hoped. Eventually you conclude, “I probably should have taken the other path.”

It really doesn’t matter which road you choose. Nothing in life is perfect. But in your imagination the alternative remains idealized. Only in your mind, in the world of abstraction and fantasy, does perfection reside — the perfect job, the perfect mate, the perfect result, the perfect performance of whatever kind.

And, for me, the perfect answer to a simple question.

Sometimes in life there is no ideal solution, no right path, only a bunch of imperfect possibilities. And, of course, we never know what it would have been like to choose the other road at that precise moment. Because, as Heraclitus said, “You cannot step into the same river twice.” Meaning that with the passage of time, the river has changed, and so have you.

No, you cannot un-ring the bell. No do-overs when it comes to the knowledge of whether Santa is real.

We must live with the inevitable heart breaks, whenever they come. In the one life we have, we can never be quite certain what would have happened had we lived it differently.

Ultimately, one can only accept the terms life allows. The contract we (metaphorically) sign by having the audacity to take our first breath at the moment of our birth allows for no escape clause from hard knocks. Not, at least, while life goes on.

I still wish I could have protected Jorie from the terrible knowledge I delivered so innocently that day, not just the knowledge about Santa, but about life. Indeed, as I think about it, it isn’t the knowledge from which I wish I could have sheltered her, it is from the pain of life itself.

But, such things are not in our power. Life will have its way with us. If we are lucky, we will also have the compensations of beauty, joy, friendship, laughter, learning, and love.

Jorie and I lost a little innocence that day.

The good news?

Our love abides.