A Day For Beauty

The conversations of the day are fraught. One can smell the tension. But other things are more delicate and tender: autumn colors, the stillness of the moon—even a multicolored balloon against the mountains and a bluing sky. Reach out and seek them. They are waiting. Perhaps it is time—a time for beauty.

Most of us needn’t search far. A house plant, a knowingly wise friend’s worn face, the shade or light that enters your residence unexpectedly. Sit in a different place to see with fresh eyes.

Make the time. Look. Listen. In a quiet place, you can hear your heartbeat. Settle on one thing.

The day is fraught. Unmake it. Remake it.

Allow beauty to enter you.

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The wonderous Laura Hedien posted the photograph above in October 2024. It comes from the Albuquerque Balloon Fiesta. The image was used with her permission: Laura Hedien Official Website.

Questions to Ask Your Future Spouse

When I treated a new couple, I asked what first drew them together. The answer was almost always the same. “She/he was hot, and we had a lot of fun.”

I don’t doubt the truth of what they said. Considering my personal experience, I could have responded with something similar. Still, I can recall those I fell in love with offered more than beauty and laughter; they displayed intelligence, wit, kindness, and devotion.

Let’s remember, however, that the couples I treated came to my office because of their unhappiness. Whatever the value of their sexual magnetism and the fun they enjoyed, those qualities didn’t guarantee bliss. That’s why they sought my services.

What had they missed? The pair often lacked sufficient knowledge of each other before formalizing their partnership. Here are 15 questions offering a chance to recognize flashing red lights before you move in together, share your income, have a child, or get married.

Change pronouns as needed to fit the relevant gender. In each case, you are trying to find out more about your significant other:

  1. What was your companion’s experience growing up? The answer should include parent and sibling relationships, forms of punishment, any abuse, school challenges, changes in residence, financial status, disturbed caretakers, addiction issues, and more. (If you find out the individual has little memory of early life, she may be suffering from the repression of traumatic experiences).
  2. Meet the other’s parents, siblings, and children. While you might be preoccupied with making your own favorable impression, you can learn much about how you will fit into the world of your in-laws and how they treat your future spouse.
  3. Uncover what gives the beloved joy.
  4. Do you and your significant other share interests beyond sex and fun?
  5. If allowed to repeat the best moment of her life, what would the loved one describe and why?
  6. Did the sweetheart ever visit a counselor, and what spurred her to seek therapy?
  7. Is your darling now dealing with addiction, and what is her history of alcohol and substance use?
  8. Does the lady have friends? If not, why not? Are they close and long-standing? Can you meet them?
  9. How does your dearest approach the importance and management of money? Are you in sync with her thoughts?
  10. What hopes do the two of you share? Do you both imagine having kids? How many? When?
  11. What are the other’s life goals? Are your pursuits compatible?
  12. What are this woman’s politics? How will you get along if you are not like-minded?
  13. The same questions should be asked about religion and its practice. What faith, if any, would the children be raised in?
  14. Does your lover expect you to make her happy and solve all her problems? (No one can take on this burden for another and hope to bear the weight of it).
  15. Learn about your partner’s relationship history, including the most significant people. Why did these romances fail?

Be prepared to probe yourself in addition to your potential soulmate. Self-reflection is recommended even if you are celibate for the time being. It is best to know yourself.

If you believe some of the information above is worth pursuing, avoid appearing to be a prosecuting attorney performing a cross-examination.

Before asking too much, get permission, but don’t ignore the need to understand the one you care for. Consider the troubles that follow if you enter a relationship on Cloud 9 and lack a parachute when uncomfortable information reveals itself.

Of course, there are more possible questions than those I’ve listed, and you might obtain some of the answers in casual conversation.

Beware if you say to yourself, “I already know her well, and she would never mislead or harm me.” Approximately 40% to 50% of first marriages in the USA end in divorce. In the case of second marriages, 60% to 67% come to the same unhappy conclusion.

It is easy to dismiss the above because you believe, “Oh, that won’t happen to me?”

Would you bet the best years of your life on it?

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The top image is from an Engagement Photo Session by Arash Hashemi, sourced from Wikimedia Commons.

When the Stars Disappear What Happens to Romance?

Not long ago, all school-aged children were expected to master cursive handwriting. In those days, the sky was clearer, and the stars stood out against the darkness.

No more.

Ironically, “progress” might be the cause.

According to the Merriam-Webster Dictionary, the definitions of progress include “a forward or onward movement” and a “gradual betterment” of our lives.

The French novelist Gustave Flaubert (1821 – 1880) disagreed. For him, “The more humanity advances, the more it is degraded.”*

While polio vaccines and antibiotic medication would defeat Flaubert in an argument, I don’t think he’d give up. His notion of progress would look at what we’ve lost, not what’s been gained. 

Perhaps no one should be surprised if values such as beauty created by human hands, artistic and detailed craftsmanship, and looking at the stars aren’t considered all that valuable. How could it be otherwise? We live in a country where profit and pleasure are widely applauded goals. Everything else takes second place, at best.   

We are addicted to speed, productivity, and the things that work, be they techniques, machines, or thoughts. Because they work, we risk shutting off our brains and our awareness of something going wrong, eating away at the fabric of our lives. The esthetic element of existence is replaced by well-functioning objects no matter their form and how little those new forms please the senses.   

Gadgets surround us, lawnmowers kill the silence, and highways and planes drone on like a boring speaker who always needs another hour to finish his talk. Do we risk becoming as automatic and unthinking as a toaster? The toaster doesn’t hear the din surrounding us. Those who never spent time in a quiet world don’t realize what they missed and are missing.

It is harder to recognize the worth of vanished practices if we never played the game of life by the old rules in the less industrialized circumstances of those times. If you were born surrounded by skyscrapers, you don’t remember walking downtown in the big-skyed sunshine of a world without their long shadows.

You applaud air-conditioning, right? Window air conditioners in homes only became popular in the 1950s; even then, not more than a few could cool their entire house. After dinner on hot days, people sat outside on the cement stoops leading up to their flats. They talked with neighbors every day. The sense of community grew. People slept in public parks to catch the breeze and escape the heat captured indoors. 

Progress demanded efficient use of space, meaning taller buildings with more apartments. High rises didn’t bring us moral elevation; they delivered anonymity and discomfort around strangers who, a few decades before, wouldn’t have been strange.   

A laptop will generate sentences faster than a college student with a pencil or pen. A notebook full of inked-in class notes carries no prestige. We must have the latest innovation in everything. Thus, old technology tends to lay dormant and unused.   

Yet our computers offer us little esthetic fulfillment in their creation of letters and words. Anyone with graceful penmanship does. Another element displayed in longhand communication is to let the recipient know you cared enough to write it. You didn’t email, text, or use snail mail enclosing a machine-created message.   

Yes, reliance on penmanship takes more time, of which we have less. That is the point. Our time-preoccupied way of spending our time has robbed us of some of the joy in it.   

Those folks in the evening park could smell the grass on a lucky day and feel closer to their earthen bed. Looking up, the stars were present, lots of them.   

The stars remain high overhead, but more of them are shrouded now. Like “progress,” the word “shroud” is supposed to tell us something. It is a burial garment employed as far back as the time of Jesus.   

The ancients didn’t have light pollution to cover the heavens. We do. A new study published in Science measured what has happened to the darkness. “Trends in the data showed that the average night sky got brighter by 9.6% per year from 2011 to 2022, which is equivalent to doubling the sky brightness every eight years.”  

The stars have always covered the sky, but now they have to contend with our blinding lights as if we were shooting at them. Have we scared them into hiding?   

Our ancestors didn’t live by night. The sun governed their wakefulness and sleep. No wonder sleep disturbances proliferate today. Without intending it, humanity has manufactured a competition between the starlit romance and mystery of an indescribable summertime and the convenience of an unnecessary brightness no one requested.   

“A child who is born where 250 stars are visible on a clear night will see only 100 in similar conditions by the time he turns 18,” study co-author Christopher Kyba told AP, according to Axios.”   

How many love songs talk of the moon and the stars?   

Enchantment can’t be found on a pharmacy shelf, no matter how many bulbs are on the ceiling. Will the singers of tomorrow fall into the spell left by darkness, beauty, and a gracefully written love note in a moment of stillness?   

All I know is this. A lover’s kiss in such a moment is not progress or profit.   

It is beyond words.

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*Thanks to my friend AGA, who informed me of Flaubert’s statement, leading to an enjoyable discussion that prompted this essay.

The first photograph comes from the NASA/ESA Hubble Space Telescope, “the globular cluster Messier 56 (also known as M 56 or NGC 6779), which is located about 33,000 light years away from the Earth in the constellation of Lyra (The Lyre). The cluster is composed of a large number of stars, tightly bound to each other by gravity.”

Next is a handwritten postcard sent by Langston Hughes, including his poem Youth.

This is followed by Laura Hedien’s Arizona Sunset ca. 2020, with her kind permission: Laura Hedien Official Website.

Finally, Sunlights Kiss by Octavio Ocampo.

On the Ageless Beauty of Women

I have long had the unusual gift of seeing through age — recreating the youthful splendor of the women I know.

We’ve all observed someone who looks vaguely familiar but unidentifiable. We either figure out their identity, or we don’t.

But something odd happens if it is a woman I spot but can’t name, especially someone out of my past. If I observe her long enough, my mind’s eye plays a trick. The decades drop away, and she becomes the young person she was. Her name returns along with her youthful bloom.

My male friends also remain young to me. It is not a failure to notice a receding hairline or changed hair color. Instead, their quality of personhood remains. Seeing them again recreates their essence, their encompassing and lasting nature.

I am not alone in this magic trick. Robert Heinlein, the great science fiction writer, described it before me.

He also understood it better than I, including that some of us experience it more readily in women. Heinlein used the artistry of the sculptor, Auguste Rodin as an example:

As I reflect on Heinlein and Rodin — both great artists as I am not — I will risk a few more words.

I see the grace, the spirit, the kindness, and the sparkle in such ladies. The special ones create an aura of enchantment, and I am taken in.

I am not simply a flatterer if I tell them they are beautiful. They remain lovely to me.

That is all that counts.

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The top image is Gaze – 3, an oil painting by Rajeskharen Parameswaran. It was sourced from Wikimedia Commons.

Making Experience New: On Recapturing First Times

The first time something happens is almost always extraordinary. At least, that is how we remember many early events. History is written upon our innocent, blank canvas with bold, colorful strokes.

The young one unwraps the world of initial impressions with every sense he owns, but many of these encounters become familiar before the brain inks them into long-term memory.

Thus, in a sense, some “first times” have already become routine by the time we are a bit older. We can’t remember the fullness of their original impact unless they carried drama, good or bad.

These thoughts occur in response to a new “first time.” My astonishment is not uncommon among those who, like me, have just had cataract surgery.

The operation has freshened my capacity to see color, its richness, clarity, depth, and glory.

I feel as though I lived for years in Plato’s allegorical cave, a man who took shadows for reality. Turning toward the light I’ve missed, the rainbowed world carries enchantment.

Cataracts created the gradual clouding of vision — a kind of dimness and a blurring of the visual world.

Like most, my case progressed slowly, without a noticeable change at first, creeping along undercover. Only when the dulling of the sense of sight brought growing practical challenges did it necessitate surgery.

The next several weeks of recovery should offer additional positive news about my perception. Were you in front of me, I might paraphrase the Big Bad Wolf’s comment to Red Riding Hood: “Ah, how much better it is to see you now, my dear.”

Of course, this change demands lots of second looks at the world. Not even my wardrobe appears the same!

Every artwork, natural and human beauty, flower, and aspect of the sun or moon provides either a fresh experience or a second chance at an old one as if it were the first. The opportunity to recreate a series of “beginnings” bowls me over.

I must emphasize the word “create.” To a degree, each of us creates the view ahead, along with our personal expectation of safety, friendliness, or opportunity in our human encounters. What we glimpse and how we interpret it depends on us, at least in part.

I do not know how long my amazement will last, but once the surgeon finishes another of these procedures, I will surrender to every sight my hazel orbs permit. Indeed, I’ve begun.

Since we tend to get used to conditions, lasting impact is never guaranteed. Think of food. You might remember particular unrepeatable restaurant meals.

The delight in a new taste or marvelous  preparation is hard to recapture. We recall first loves with the same difficulty of finding another similar emotional and sensory wallop.

I am eager to fill the space between my eyelids with my children and grandkids — their skin tone, complexion, hue, and glowing smiles. Museums await me, as well. Mark Rothko’s work will be a priority destination.

As the late comedian Norm McDonald said, “The only thing an old man can tell a young man is that it goes fast, real fast, and if you’re not careful, it’s too late.”

His words remind you and me to recreate ourselves, erase a part of our canvas and renew our eager receptivity to the palette of natural and human brush strokes. To let the world impress itself on us as children do. To become, as Carlo Maria Giulini, the gifted conductor, described himself, “an enemy of routine.”

If life represents a search, taking in the fullness of the road and its surroundings becomes essential to the journey.

I am not too late to widen my scope. Indeed, the previous darkness of my eyes and the metaphorical evening of our present moment join to enlarge my gratitude and amazement.

One caution, though. The next time I meet you, I might make you self-conscious for a second, no matter your gender or age.

My eyes don’t intend this, nor do they wish to evaluate your appearance. Instead, to drink you in. Don’t worry. My soul-searching career is behind me.

Like Humphrey Bogart in Casablanca, I may suggest we share a glass of wine and this toast: “Here’s looking at you, kid.” The person I embrace will be another first time, no matter how long I’ve known you.

======================

The top image is A Sunset in North Dakota captured this June by the magnificent Laura Hedien, with her kind permission: Laura Hedien Official Website.

Next is A Woman in a Room by Pierre Bonnard from Wikiart.org/

This is followed by Hot Air Balloon and Moon, © Tomas Castelazo,  www.tomascastelazo.com / Wikimedia Commons / CC BY-SA 3.0/

The final artwork is Mark Rothko’s No. 3/No. 13, Magenta, Black, Green on Orange, also from Wikiart.org/

A clip from the end of Casablanca with Ingrid Bergman and Humphrey Bogart completes the exhibition.

Prisoners of the Male Gaze: The Complications of Beauty

Beauty confers a sense of self. Associated words include youthful, vigorous, alive, sensual, fertile, attractive, and more. Don’t forget the capacity to draw the gaze of others.

The splendor of these lucky ones seems to spin the steering wheel behind our eyes toward them. This is the first quality to register on the observer, the one preceding all other human characteristics. In the old days, the watcher called such a creature “a looker.

Every internal talent informs the male of its presence later, if at all. The problem for the gorgeous one is whether anyone pays attention to all those extras. She might be brilliant, tender, empathic, funny, technically adept, generous, strong, persistent, hard-working, athletically-gifted, brave, and more.

Even when she is, the shadow cast by her physical features can make her wonder: does anyone know or care what is inside “the package” or do they just want the outside?

The gift of the allure of the flesh is double-edged. If the lovely one believes she has nothing else to win credit and attention, she is more likely to be grateful for what is offered. The world praises her for what strikes the eyes, and, for a while, little else is required.

But for anyone who is more than what can be photographed or painted, she cannot be aware of the extent of her dependence on (and imprisonment within) the pretty picture she presents.

While beauty lasted, many of my female patients couldn’t be sure whether the deepest level of their qualities broke through their dazzle. Reassurance from their lover or a friend or a therapist didn’t help. If they were beautiful but unlucky in love, they wondered the cause. For some, the passage of time and the specter of fading loveliness represented an enemy.

Visible aging afforded the only way to discover if the audience cared for more than an exquisite profile. Who wanted that?

De Mura: Wisdom or Nobility. The Fitzwilliam Museum, Wikimedia Commons

A counselor works with snapshots taken days apart. Most often clients enter our field of vision once every week or two.

More obvious natural changes are recognized by those lacking such regular access. Longer periods between sightings are greater: several months or years.

Even so, sometimes I observed the youthful bloom vanish in a space smaller than one cycle of the earth around the sun. For others the gift never disappeared within the period of meetings continuing for a number of years.

Those who embraced the transformation fared best. The evidence of the passing years extended more opportunity to be valued for the human attributes they’d worked for, the entirety of their true self. Here was their essence in total, not the decorations and the frosting on top.

The few facial lines magnified the intelligence and wisdom of their appearance. The externals now told me a different story:

I know some things about the world. I am more than I used to be, not less.

For the most admirable of them, this was not an insurmountable loss. My memory of their initial impression on me blended with the current aspects of their presence.

They retained elements of their younger incarnation but added to them. Their enhanced humanity was obtained from roads they visited, the knowledge and values fashioned by experience, and the endurance now traced in the skin-deep marking of time’s hand.

My long paramount concern about the personalities of these aging but ageless beauties furnished me a perspective that made the diminution of some peripherals beside the point. From the start, I beheld all their revelations and the courage evident in so doing. Perhaps, too, the gradual decline in my own hormone-driven chemical mix made a difference.
The whole of them was, as in the best of the remainder of humanity, flawed but extraordinary.

For those who never enjoyed the mixed blessing of head-turning angelic charm, the news, I thought, was positive as well.

For a number, their physicality now met the comely ones somewhere near the middle when it came to the world’s attentional focus. These ladies were not less remarkable and had to contend in a different manner with the never bountiful male gaze.

The finest of all these women, survivors of the man’s world into which they were born, created something more than the earlier version of themselves. If the pleasing and the plain now had the confidence to be indifferent to swiveling heads or their absence, I imagine they might have taken the stage to say,

Here I am. If you wish to accept me for who I am, not what I am, welcome. For the rest of you, your attention is not required. Go in peace.

——-

The top photo is a Nine-year-old boy’s face, Margarita Island, Venezuela, by Wilfredor.

Sensuality Is More Than Sexuality

James Baldwin, the towering black writer, can widen your comprehension of things you thought you understood. Take the word sensual.

The essayist and activist wrote this in The Fire Next Time:

To be sensual, I think, is to respect and rejoice in the force of life, of life itself, and to be present in all that one does, from the effort of loving to the breaking of bread.

Baldwin feared for those who are unable to “renew themselves at the fountain of their own lives.”

At times he found such renewal in his black community of the ’50s and ’60s, a quality “of zest and joy and a capacity for facing and surviving disaster. … a freedom that was close to love.”

He observed this characteristic at “church suppers and outings … where rage and sorrow sat in the darkness and did not stir, and we ate and drank and talked and laughed and danced and forgot all about the (white) man. We had the liquor, the chicken, the music, and each other, and had no need to pretend to be what we were not.”

Baldwin is talking about being in touch with all emotions and all five senses. A thing natural and unstudied.

He noticed this in unself-consciousness, in losing oneself to the sound and feel and texture of things. We see it in a gifted athlete’s abandon and grace as he speeds toward a distant, perhaps catchable ball and the same young man’s sense of muscular weariness after expending all his energy at the game’s end.

You needn’t search far for these experiences. One can reach down and claw up a clump of earth on a rainy day. The fragrance is the aroma of life and the potential for regeneration.

The sensual is at hand in rejoicing over birdsong and the concentrated, savoring, unrushed consumption of a tasty meal. It is there without charge in a subtle perfume evoking the skin of someone you love and the heartache when you are distant from her.

The songs that quicken us access the hidden truth we know of ourselves and in ourselves. When we say we are “moved” by an event, we should remember this: movement speaks to the urgency of the body to do what it was made for.

Sensuality inhabits the morning light of the bluest skies and the coyness of a shy smile. You recognize the sensual in the goosebumps of a homecoming where everyone waits for you – when you and they know of their incompleteness without you.

Perhaps you’ve found sensuality in poetry recited in hoped-for words from the right voice or a father’s protective arm around your shoulder. The mutual grip of his handshake would do as well. Your senses are engaged in each of these.

We give away too much of this in a cloud of unawareness. Routine and habit kill our aliveness to the world. Now is a moment to attend to our forgotten contact with nature outside of us and our nature inside of us.

Traps we call custom and convention interfere with showing our emotional response to the sensory corporeal world. We make sure no one sees our openness and sensitivity to the planet’s pulse, lest we become ashamed.

Concern about the opinion of others is necessary for civility, but causes us to hide anything the group might question. Religion’s focus on the sin of the erotic, for all that institution’s civilizing effects, inhibited mankind by comparison with our freer mammalian cousins.

One can find the possibility of the sensual in walking instead of riding in cars, in the buoyant life of the ocean’s salt rather than the antiseptic backyard or public pool. The computer screen offers digits and electric communication, but not the enlivening smell and slipperiness of sweat.

Weather makes no difference to our senses. Each season and atmospheric change presents its own physical gifts. Sensuality is not buttoned up or closed down, but the drumming heart of our essence, no matter the forecast.

Even in a time of limitation and disease, you can discover the reason you want to live in photos, melodies, and trees. No wonder children love fingerpainting. They don’t care how their art turns out so much as how the paint feels in their hands. They remain more at one with their bodies, joys, and sorrows than many of us.

Reawaken yourself.

All you need is in you.

All of the photographs are the work of the extraordinary Laura Hedien, reproduced with her generous permission: https://laura-hedien.pixels.com/ The first was taken at Wasatch Mountains, Utah. The second image depicts the Bobby Sock Area of Yellowstone National Park. The final picture shows The Milky Way and a Southwest, USA Arch. The single painting comes from Wikimedia Commons. It is Jan Davidsz de Heem’s Still Life with Ham, Lobster, and Fruit, c. 1653.

When Beauty Interferes with Your Life

A therapist learns more about private lives than almost any other professional. Such knowledge informs him of the double-edged nature of many glorious qualities.

Take beauty.

Take beautiful women.

The upside of their charm is well-known: admiring glances, an expansive range of potential suitors, the possibility of marrying into a superior status. People who will do more for you, show you great kindness, pick up what you’ve dropped, and make exceptions for your failings because you dazzle them with bright eyes, a smile, and the symmetrical proportions of your face.

The genetic wheel of fortune blesses some of us, sideswipes others. One does nothing to earn this. Gifts of intellect, athletic talent, and disposition are subject to random distribution, but none more nakedly evident than how you look.

What of the downside of this accident of birth? As the Greek myth of Prometheus relates, we must be wary of a gift received from the gods. Here are a few observations about those complicated presents. One cautionary note: these remarks do not fit every one of those who make men look twice:

A number of the gorgeous ones become accustomed to the unearned advantages bestowed upon them. Some believe they needn’t develop other facets of themselves: education, tenderness, social intelligence, or financial independence, etc. Life demands less, so they give less.

An additional factor contributes to their confidence in a seemingly permanent entitlement. Few can grasp the reality of future unwanted changes to their physicality.

All of us believe advanced age is our destiny, but the idea is an abstraction. The magic mirror, like the one possessed by Snow White’s evil stepmother, reflects an everlasting prime. Time stretches when a rose is in bloom. Its alteration is imperceptible. A different life is unimaginable.

Perhaps we survive as a species because aging long remains at a distance, beyond the horizon, an affliction without application to ourselves.

An enchantress wonders about something else, at least early on: why does he love me? Everyone thinks about the reasons for another’s affection, but a beautiful woman confronts the plausibility her pulchritude alone is paramount.

Along with the power conferred by her sexuality, she regrets that her lover values her without knowing her. Perhaps she is an objectified prize to be displayed beside his most conspicuous trophies; as a testament to his worth and his victories in a chest-pounding macho competition.

The totality of the female as a unique, self-created, moral, emotional, perceiving entity might be obscured by the man’s singular focus on her arresting face and form. The woman’s periodic dismay at the irony of being “unseen the more she is seen” betrays the existence of an invisible depth.

The fetching lady is like a bejeweled well, so breathtaking and artistically constructed on the outside no one thinks to examine what is inside.

I met movie-star-beautiful women whose personalities, wit, imagination, generous humanity, and brains were more impressive and magical than anything else about them. And yet the floodlight of their externals blinded far too many who were already blind to the possibility something more was more important.

If a damsel’s charms are also long-lasting, females share the tendency to discount her strengths.

I recall treating a gynecologist whose appearance suggested early-20s though she was 45. Upon acquaintance, patients did not believe she was a doctor.

Once persuaded, a minority continued to question whether her medical experience justified trusting her. The physician’s presence confronted them with the contradiction between what she was and what she appeared to be.

To the extent one retains youthfulness and allure, an evergreen body postpones the portion of maturational instruction a fading flesh provides. How one adjusts to its transformation and the changing reactions of others to its metamorphosis influences everything else.

Aches and pains aren’t fun, but they are informative. Prolonged youthful skin plays the trick of extending the period in which you can act as you did in your chronological springtime.


Any of us might wish for this blessing, but wisdom is acquired not only by exposure to events and the passage of time. Sages achieve enlightenment, in part, by adjusting to alterations in the package containing their soul.

A significant number of good-looking members of the fair sex find relationships with their same gender comrades challenging. Rivalry for the male gaze creates unease among possible friends. Would-be chums and colleagues hesitate to stand in the shadow of an apparition more magnificent than the hanging gardens of Babylon.

If these captivating creatures get divorced, married women guard the home turf against the temptation they represent. Dinner and party plans leave the insecure wondering if they would do better not to invite a Trojan horse into their walled dwelling place.

The signs of seniority and declining loveliness inevitably arrive, even when late to the game. The loss of a man’s instinctively turning head is still a loss, however long the delay. Grief is enlarged when self-concept is too dependent upon the vanishing thing.

Comparisons can’t be escaped. For one who caught every eye, she not only measures her effect on neighbors and friends but judges her current self against what she was.

If you are beautiful, you are aware of the downs and ups of nature’s largesse. A sense of well-being is enabled by gratitude for whatever one has. Those women who hang on to their appreciation of the whole of themselves will handle both their sexual objectification and its departure as well as possible.

When considering the beautiful, do remember that the higher they climb on the list of bathing beauty winners, the farther they must fall into the water.

While no one escapes gravity, some qualities defy it. Shoot for the stars with whatever excellences best define you today.

—–

All of the images above are sourced from the Art Institute of Chicago. The first is Three Beauties of Yoshiwara (1793) by Utamoro. Next comes Madam Pampadour (1915) by Modigliani, followed by Dorothea and Francesca (1898) by Cecilia Beaux. Finally, Two Sisters (On the Terrace) (1881) by Renoir, Bust of an African Woman (1851) by Charles Henri Joseph Cordier, and Celestial Beauty from 8th century India.

What if We Could Erase Painful Memories?

Why is memory this way? Why isn’t it content to hurt you once? Why must it remind you of all the times you’ve been hurt before?

If this doesn’t sound familiar, you have been asleep for a while.

Our hearts are given as hostage when we love. The kind of love doesn’t matter: children, friends, romance, and more. Our core is at risk when we treasure books and eyes fail, or music and hearing dims, or running and knees collapse.

Think of our loves as on loan from a magical library. This institution specifies no due date for the materials checked out.

Are we fools because the absence of a precise cutoff allows us to believe our possession is secure?

Perhaps someone already grabbed the object of our desire off the shelf. Will waiting help, hoping for the item to be returned?

You say rapture is yours? Then, suddenly, the library police snatch it away. No warning. No time to prepare. Maybe an accident robs you of your mobility or another love of a lover. No aid for this, no higher authority to whom you can appeal.

The officers provide only cruel compensation: a hole inside. The happiness of what remains begins to leak, the substance of life tunneling down the bottomless sink. Food doesn’t taste right, jokes don’t make you laugh, sleep gives no rest.

You climb in and reach for what is moving away. Or lack even the strength to lift you arm, open your hand, and try.

Oh, but shards of the remembrance cut, edges slow to depart.

Where is the repair shop when you need it, something to fill up the hole, smooth the jagged places? A replacement for “one of a kind” now gone? No second hand stores carry it, no reseller offers the missing part. A proprietor says they have something like it. You know they don’t.

What if you could simply forget you’d ever had the precious commodity, as if a surgeon removed an unwanted scar?

The top quote comes from Mem, by Bethany Morrow. The novel deals with some of the implications of memory erasure, also treated in the 2004 movie, Eternal Sunshine of the Spotless Mind. Outside of fiction, scientists envision a possible future including electro-convulsive therapy (ECT), brain implants, or other methods to treat PTSD by deleting disturbing memories.

The researchers make an assumption: the stinging, sorrowing, traumatic remembrances are distinct, limited, and not integrated with the rest of you. Not all troubling events fit into this tiny package, however.

Stop for a moment.

Would you sign up?

Many questions can be expected to arise if such a tool comes to the hospital nearest you. How would the doctor measure whether a memory is terrible enough and fenced-off enough to qualify for medical vanishing cream? Would the emotion disappear along with the recollection or might one experience the trauma without the reference to what caused it?

How would a forgotten past allow us to learn from our mistakes? Some amount of pain is both inevitable and necessary for human development.

What might such experiential carve-outs do to our humanity? How might we relate to those who remember the event, but didn’t use the medical white-out?

Could the richness of life and our capacity for empathy — our moral growth and resilience — diminish with a too ready instrumental “end (to) the heart-ache, and the thousand natural shocks that flesh is heir to?”*

If the technique were extended to matters of romantic heartbreak, would the wonder of love vanish too? Might our species turn reckless once assured that losses needn’t last past our next doctor appointment?

Remember, taking something away doesn’t add anything back. Would these scrubbed souls become like white boards without the written names and meanings of the people who were once our “everything?” Does spotlessness await or just mindless?

For now we must weather the bad luck and pack an umbrella. Perhaps go to a therapist or seek the drug dispensers, insurance approved or otherwise. We count on time to pass so we no longer count the time “since” and “after.”

I wish we were guaranteed a puddle remover for the rain and a hole closer for the drain. At least they tend to get smaller.

Gratitude for what abides offers consolation, though hard to summon with speed. New people, new tasks, new beauties beckon. Acceptance, too, is instrumental in healing, another job needy of practice and patience. Religion helps some find solace.

To me, the essential lesson is to live with urgency. Not stay up nights wondering when the librarian will demand the book back. Rather, to be exhausted by bedtime for having embraced the fullness and possibility of the sunlight. If, by evening, the tale of your life is claimed, the desk won’t be piled high with regret.

Your library card might appear battered by then. Look carefully, though, and recognize something else. Good use was made of your time and the invitation to enter a wondrous place called the globe. I mean the bounty offered there: books and relationships, work and sport, nature and laughter and fulfillment from striving to repair the world.

In a place where everything is borrowed and brief, Andrew Marvell’s centuries old advice, To His Coy Mistress, still applies:

Thus, though we cannot make our sun

Stand still, yet we will make him run.

——–

The second image is Erased de Kooning by Robert Rauschenberg.

*Excerpt from the “To be, or not to be” soliloquy in Shakespeare’s Hamlet, Act III, Scene I.

Why Therapists (and Others) Don’t Always Understand

How often we hear someone say, “I understand.” How often we think, “I only wish it were so.” Beyond the imprecision of language, I want to consider 10 reasons why true comprehension – recognizing the other person as he is and in depth – is difficult.

  • The fog of appearances: We instantly react to the individual in front of us, even before he makes a sound. Beauty (including a lovely voice) or its absence rose with the dawn of man. Sometimes revealing, sometimes obscuring; sometimes enhancing, sometimes diminishing. Sometimes all of the above.
  • Stereotypes: Beyond what we take from the person’s facial symmetry, shape, and size, other factors can cloud deeper comprehension. Gender, age, race, religion, and nationality interfere with vision beneath the surface.
  • Secrets and history: Polite conversation sets boundaries around self-revelation. Many of us believe we have been misunderstood – judged to the point of harm – and hesitate to reveal much. Even in therapy this is an issue, though with time and growing trust, significant secrets are often divulged. Without exposure, the job of comprehending you is far harder.
  • Our limited access to important data: Think about what information you might need to understand someone else. No one can access to all three sources below:
  1. The individual is the only person who perceives his life from the inside. He does not, however, see himself from the outside and will be shocked the first time he hears a recording of his voice. His grasp of his own motivations cannot be assumed accurate and may not reflect the work of the unconscious. Similarly, he interprets his life without the benefit of external perspective; except whatever is received, understood, and accepted of the other’s body language, tone of voice, praise or criticism. Most of us would be unsettled to know what others say about us in private.
  2. Friends and acquaintances hear what the same individual says about himself, what he reports of life apart from the observer, as well as experiencing his behavior in real time. Even his intimates must contend with the fact that “a mask of him roams in his place through the hearts and heads of his friends.” (Nietzsche, Beyond Good and Evil).
  3. Finally, the therapist has the most limited exposure to the client in real life. Ideally, however, the patient is more open to the therapist than perhaps he has even been to himself. The counselor has the training to “figure out” who is facing him, and the opportunity to ask the most essential questions with some expectation of penetrating to answers not offered in the public world. He sees not from the inside and not only from the outside, but,  from closeup, below, and through.

  • How remarkable are you? Though I evaluated and/or treated well over 3000 people, I encountered only a handful who were unique. Such individuals represent an enormous challenge to one’s understanding.
  • Countertransference: We can have reactions to our patients that grow out of our own unfinished issues with persons of consequence who they resemble in appearance or personality. This is called countertransference. Objectivity and unbiased analysis flees the evaluator under those conditions.
  • The limits of our experience. One who hopes to grasp the essence of another will not have encountered the whole of humanity. If, for example, most of his contact is with like-minded people (let’s say small town residents of one religion) he will be at a disadvantage with those whose backgrounds are different. On the other hand, therapist and non-therapist alike can meet an individual with whom he is “in sync.” In that event, both might find friendship and sympathetic intuition effortless and uncanny.
  • The listener who wants to be right. Insecure counselors can be troubled, sometimes unconsciously, by their own uncertainty. They tend to find it more comforting to put people in a box than to recognize when someone doesn’t fit. The job of evaluator (not a judge) calls for two qualities not often mentioned. First, enough confidence to say to yourself, “I don’t understand yet.” Secondly, “I can do better and I’ll work until I get this right.” Therein they offer an odd combination of humility and security. From time to time the therapist must clean the slate and start over.
  • The observer’s own emotional wounds and defenses: Our personal wounds (we all have them) place a limit on the ability to absorb, accept, and seek the truth of all humanity. Indeed, who is to say there are not many truths. The best of us never fathom all we encounter.
  • The listener’s capacity and willingness to endure the other’s pain: Hearing personal stories, even with the therapeutic distance healers work hard to achieve, still creates vulnerability to the most poignant encounters. Too many such episodes close in time risk either overwhelming the counselor or making him callous. To understand the human condition one must recognize his limits.

Final thoughts. Treatment by someone who opened-wide your self-understanding can make you believe no one on the planet will ever know you so well. I’ve long believed that if you then allow yourself to take more real-life personal risks, other satisfying and close relationships are achievable. Nonetheless, the special nature of a therapy relationship may include a hard-to-duplicate quality of perception and acceptance “as you really are.” You then will want a friend or lover who is psychologically-minded, a patient and dedicated listener, and one who makes the effort to approximate what an expert analyst can manage. This might be a tall order.

Do remember this: you and the therapist might not have much in common beyond his comprehension and kindness. Interests, compatible temperaments, and world view count for a lot. He exists, as well, in a fantasy world of your creation: literally, too good to be true. Were the light-reflecting cellophane of illusion to come off the package, you’d find his unshaven, distracted, and ill-tempered alter-ego – occasionally.

Another thought. A psychologically profound understanding of your inner workings isn’t always essential for a happy relationship outside of the office. Love and acceptance, even without full knowledge of all your moving parts, can go a long way. Not even your counselor has a total grasp of himself or anyone else. That said, his success at his work doesn’t require perfection.

Anyone close is “out of this world.”

The first image is called Rorschach-like Inkblot by Irion. It is sourced from Wikimedia Commons. The painting that follows is Vassily Kandinsky’s Composition VI, 1913. Finally, just above, is Honore Daumier’s Couples Singers, as sourced from Wikiart.org/