
We are launched into this world as if a computer programmer designed us. Nature gives newborns their essence, including hair color, skin shade, gender, and a developing brain.
Unlike built-in software features, however, we can attempt to modify them by living.
Our parents beat us to the job. They tell us to do this, do that, think this, and forbid that.
Their voices direct us to take risks — or not. And don’t forget those who urge us to have faith and then vacillate.
Much as our progenitors wish us well with love, guardians sometimes fashion a fence too high. Not all limitations provide protection; many of our caretakers paint the highway lanes of appropriateness with a narrow brush, policing their domain and ours.
Overseers often aim to mold you into their vision of how you should conduct yourself. Safety first? Sometimes, what is “for your own good” isn’t fitting for your flourishing.
What remains to every adult is widening the horizon of possibilities, removing the blinders, and making ourselves over. Few of us are finished products when college beckons, and we leave the assembly line of homelife.
The master German poet Rilke advised us to change our lives.
The 2023 movie Poor ThingsĀ offers strange guidance for self-creation, consistent with Rilke’s urging. Emma Stone plays a young woman named Bella, created in part by a scientist we might call mad: Godwin Baxter, a surgeon whose nickname is “God.”
“God” views the young lady as an experiment — with affection as well. Her curiosity leads to adventure, and a bit is allowed. Still, she leaves him to fulfill her interest in a broader world than Godwin’s attitude permits within the home.
She proceeds toward the opposite of a contained, sheltered life. Bella breaks objects, takes risks, offends people, and discovers life by living it in extremes. The naive but intelligent female absorbs everything and grows from all she encounters, from books, new friends, poverty, sexuality, and mistakes, albeit not without temporary injury and setbacks.

Bella is not judgemental and sympathizes with the human condition, touched by the lives of others. When people attempt to take advantage of her, she moves on, free from grudges or thoughts of revenge. You might say she is a kind of feminist icon, a child-woman who searches for the best way to live and transforms into who she wishes to become.
Here is someone without a mask or a bended knee at the sight of a man.
This movie has been widely praised and takes us on a wild ride. It helps to have a stomach for the protagonist’s dangerous decisions, but the film is not a hellscape and is more than amusing. You needn’t enter the theater with a shield to come out pleased with the entertainment.
Many messages and morals can be taken from Poor Things. The one I prefer is not to restrict ourselves so much that life’s riches remain out of reach.
Consider approaching the time ahead as an experiment. Make yourself its only subject. As to others, don’t judge too much, don’t nurse grudges, and be strong — and joyous.
You will do well to be half as strong as Bella Baxter.*
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*Poor Things has received nine Oscar nominations, including Best Picture, Best Actress, Best Director, Best Supporting Actor, and Best Cinematography. The awards will be announced on Sunday, March 10, at the annual Academy Awards Ceremony.
The top photo is Emma Stone at the 39th Mill Valley Film Festival. It is the work of Steve Disenhof: https://www.flickr.com/photos/marinsd and sourced from Wikimedia Commons.

