
When I think of a balanced life, I imagine going to the circus. There, you find someone walking the high wire. The pole they hold horizontally helps to keep them aloft as they walk from one platform to another.
Yes, people have traversed the tightrope for over a mile, but most settle for much less.
On or off the high wire, it is hard to maintain equilibrium.
Those who talk or write about balance focus on work and life. They add friends, hobbies, religious observance, a partner, raising children, exercise, vacations, meditation, continuing education, and a satisfying home life.
What they don’t mention is death, and they may wonder why it is worth contemplating:
Why should I? I’m trying to have a full life while I am alive, not dead. The thought of my death depresses me.
What is there to fear in your death? Pain, yes, but many encounter severe discomfort well before their demise and live with it for years. Moreover, medical and hospice care near the end of life can often treat and reduce suffering.
A death that ends anguish may be welcome.
I agree that a loss of a life, in full bloom or before, is a tragedy. Existence robs one of a host of opportunities, the possibility of joy, love, achievement, song, excitement, and more.
Those who do not ponder the brevity of life may, without intention, rob themselves of discovering what might fulfill them. An endless life would not. Infinite survival could well be tiresome, boring, routine, and disappointing, without the chance of escape.
Seneca said, “Life, it is thanks to death that you are precious in my eyes.”

Failing to remind oneself of the end of one’s time, there is less urgency to make the most of the time he has. Awareness of the ticking clock encourages homo sapiens to live more in the moment.
Thinking the unthinkable can create some comfort with the idea of one’s ultimate expiration. Those who take this position, however, should be prepared if the subject alienates others.
Many superb books nonetheless touch on death. They tend to be thoughtful and enlightening, helping you discover where authenticity and growth lie in your season under the sun.
Somerset Maugham wrote this in The Razor’s Edge:
“Nothing in the world is permanent, and we’re foolish when we ask anything to last, but surely we’re still more foolish not to take delight in it while we have it.”
Maugham’s principal character in the novel is Larry Darrell, whose best friend in WWI died saving him. He returned home transformed, preoccupied with all the essential questions. Who am I? Why am I living and not my friend? What is the value of life? How can I best find the answers?
He refuses jobs that would lead to conventional success and wealth. Darrell lives modestly, is put off by social climbing, and instead associates with people of more humble means than his old friends do.
Larry chooses to work in a coal mine, later lives with Benedictine monks, and travels to India to discover the wisdom of Hinduism. His homecoming to the United States continues his rejection of money, power, and high station in a materialistic society.
This man is fearless and curious about the ways of the world. He does not know all the answers, but he knows the questions and what he must pursue to learn more.
Ancient philosophers came to terms with the idea of the end of our being, something more immediate in a time when life expectancy was short. According to the Daily Stoic, Socrates said philosophy is “about nothing else but dying and being dead.”
The practice of bringing death to the forefront is called Memento Mori (Remember you must die). Buddhists and Sufis also have long histories in this approach to living.

It would not surprise me if you remain unconvinced of the value of more attention to your departure from the planet. In that event, you might take the words of Oscar Wilde as a model of how to approach the question:
My wallpaper and I are fighting a duel to the death. One of us has got to go.
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All of the paintings are sourced from Wikart.org/ The first is Paul Klee’s 1923 Rope Dancer. It is followed by August Macke’s 1914 Tightrope Walker. The final image is Remedios Varo’s 1944 Tightrope Walkers.
















